79-93

In this audio-visual installation, memory is not a static archive but a living, shifting terrain—one shaped and reshaped by the interplay of sound and image. The work orchestrates a dialogue between found and personal slides, projected through layers of color gels, and an immersive soundscape that blurs the boundaries between recollection and invention.

The installation’s visual language is rooted in the uncanny: skies glow green, water burns red, and familiar landscapes are rendered alien. This chromatic dissonance invites viewers to question the veracity of memory and the images that shape our collective consciousness. Are these altered slides a faithful record, or do they reveal the inherent subjectivity of remembrance? If unearthed in a distant future, would these images be mistaken for truth, or recognized as artifacts of longing and loss?

Sound operates as both anchor and catalyst—a time capsule of nature and human activity that threads through the space, evoking nostalgia and a sense of impending apocalypse.

This installation is a meditation on the instability of recollection and the ways in which sensory experience—sight, sound, and the textures of material—shape our understanding of the past. It asks: When reality is filtered through the prisms of technology, imagination, and remembrance, what remains? And how will we recall the world when the world as we know it is gone?

Sound Design by Tei Blow.

Showings:

• CATCH / 79-93 / Chocolate Factory 2025

Residencies:

• Early Stage Creative Residencies/ Chocolate Factory Theater / 2025